What Is Thesis Abstract

What Is Thesis Abstract-57
Emily Alff Ergodic Literature and the News: An Analysis of How We Read and What We Do Directed by Kate Marshall The news is the only kind of literature where the public affects its presentation, and its presentation affects the public.

Emily Alff Ergodic Literature and the News: An Analysis of How We Read and What We Do Directed by Kate Marshall The news is the only kind of literature where the public affects its presentation, and its presentation affects the public.

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Yet Herbert believed that the Quileute were not “war-like enough” to maintain sovereignty in the face of colonial aggression, and thus Herbert’s Fremen are violently fighting their own war for sovereignty on Arrakis.

Where the Quileute have lost the Fremen seem to win, ending the novel by taking Arrakis from their colonial superpower.

I argue that Prospero uses the knowledge of and power over the Green World that his playwright status confers to stimulate the development of maturity and independence in Miranda and Ferdinand by simulating the patriarchal opposition typical of conventional Green World comedies.

I also observe that Prospero’s metatheatrical knowledge and power give him the ability to end the play’s superposition of comic and tragic modes in order to secure a satisfactory ending for his own story.

Works like Vladimir Nabakov’s Pale Fire (1962) and Mark Z.

Danielewski’s House of Leaves (2000) are more conventional expressions of this genre.This relationship parallels how the contemporary genre, ergodic literature, manipulates its medium to influence its reader.In this genre, a text requires the reader to directly interact with it in order to extract a meaning, thus creating a dynamic relationship between text and reader.In this thesis, I qualify news as its own subgenre of ergodic literature, discuss what impact ergodic literature holds on the news, and evaluate how the material format and technical qualities of the news create meaning within a community.I use two primary aspects of news stations as my case studies: comment forums and broadcast rundowns.Hans Martin Eric Callé An Invented Land: The Applicability of J. Forty-six years after the publication of the final book, Peter Jackson took on the task of adapting this ambitious story into the film format.This thesis seeks to tackle the relationship between Jackson’s trilogy and its written predecessor, deciphering whether Jackson, with his use of film—in itself a different medium with unique tools and limitations—is able to accomplish a secondary world as Tolkien describes it.Although postcolonial criticism has made essential contributions to the discourse surrounding the play, its ubiquitous and polarized nature obscures the potential for other fruitful readings that could move criticism in new directions as well as address the faults of postcolonial readings of the play.I propose an interpretation of The Tempest based on the Green World framework originally conceived by Northrup Frye in which, reflecting its unconventional hybrid tragicomic structure, the Green World of The Tempest is also unconventional.The discussion revolves around three key scenes and chapters—“The House of Tom Bombadil,” “The Scouring of the Shire,” and the arrival of the broken Fellowship at Edoras, part of “The King of the Golden Hall”—and explores the structure, tools, plot, and inherent abilities of the story in each medium, arriving at the conclusion that, though successful in its elicitation of detail, the film trilogy ultimately falls short of creating a true secondary world due to the more economical screenplay format and, as Tolkien describes it, its mimetic nature.Benjamin Easton “A Web of Sense”: Narrative Structure and Aesthetic Import in Vladimir Nabokov’s Directed by Kate Marshall Emily Garrett Dear Cincinnatus C.: A Gendered Reading of Vladimir Nabokov’s Invitation to a Beheading Directed by Cyraina Johnson-Roullier This senior thesis examines Vladimir Nabokov’s novel, Invitation to a Beheading, through a critical gendered lens in order to show how the story relies on a strict adherence to traditional gender norms and a patriarchal power structure in order to most fully oppress the main protagonist, Cincinnatus C..

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