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However, just as he adopts a kind of totalitarian rule over Truman’s life, he also plays the God-like figure of authority for the worldwide audience of itself becomes a kind of implicit religion that the audience has become so dependent and involved in that their idea of reality also becomes just as controlled by the show’s director, Christof.
However, while this obvious devotedness is crucial to the presentation of the show as an implicit religion, the factor that truly acts as a catalyst for the development of the show as a “religion” is the mobilization of community that has developed within its audience.
Emile Durkheim, one of the early theologists that attempted to define religion had believed that: “Religion is not fundamentally about gods, it is about the group and how the group defines its own good.
is the kind of movie that attempts to challenge the audience by using the medium of film, the technology that society strongly depends upon, to critique itself and its viewers.
The movie is named after within the film that revolves around the life of a man who was adopted by a corporation at birth.
If we use this lens as a way to look at the actions of the audience in this film, could be identified as the collective good that is being made sacred, not only through Christof’s influence, but largely by the audience themselves.
After all, one of the three functions of religion is the social function, which is defined by the power of the collective and how shared social experiences create bonds and form attachments toward each other and the experience itself (Bancroft).
Seventeen years ago through the film involve character interaction with technology and ultimately this form of technology harms a single or multiple characters.
It is evident through their work that Weir and Niccol both shared the idea that technology and television hinder a characters and viewers well being.
Throughout his life, Truman is being filmed and forcibly kept on an enormous television set called Seahaven, which Truman believes is no different from the rest of the world.
In the film, the director Christof becomes the Godly figure that designs and controls almost every aspect of Truman’s world.