Synge, and Yeats, who was represented that night with the first of his several plays featuring heroic ancient Irish warrior Cuchulain.During the first decade of the 20th century Yeats was extremely active in the management of the Abbey Theatre company.Simplification was only the first of several major stylistic changes. ” an essay in the prominent Irish poet Seamus Heaney commended Yeats for continually altering and refining his poetic craftsmanship.Tags: Pacemaker Term PaperMba Essay Writing ServiceMean Streets Critical EssayEasy Essay Topics KidsDissertation Critique Francais 103Solving For X Word ProblemsGuantanamo Bay Research Paper4 Step Problem Solving
He was equally firm in adhering to his self-image as an artist. Auden noted in a 1948 essay entitled “Yeats as an Example,” Yeats accepted the modern necessity of having to make a lonely and deliberate “choice of the principles and presuppositions in terms of which [made] sense of his experience.” Auden assigned Yeats the high praise of having written “some of the most beautiful poetry” of modern times.
This conviction led many to accuse him of elitism, but it also unquestionably contributed to his greatness. Perhaps no other poet stood to represent a people and country as poignantly as Yeats, both during and after his life, and his poetry is widely read today across the English-speaking world.
Most of Yeats’s poetry, however, used symbols from ordinary life and from familiar traditions, and much of his poetry in the 1890s continued to reflect his interest in Irish subjects.
During this decade he also became increasingly interested in poetic techniques.
The turn of the century marked Yeats’s increased interest in theatre, an interest influenced by his father, a famed artist and orator who loved highly dramatic moments in literature.
In the summer of 1897 the author enjoyed his first stay at Coole Park, the County Galway estate of Lady Augusta Gregory.
Gonne shared Yeats’s interest in occultism and spiritualism.
Yeats had been a theosophist, but in 1890 he turned from its sweeping mystical insights and joined the Golden Dawn, a secret society that practiced ritual magic.
Yeats avoided what he considered the obscurity of Blake, whose poetic images came from mystical visions rather than from the familiar physical world.
Even so, Yeats’s visionary and idealist interests were more closely aligned with those of Blake and Shelley than with those of Keats, and in the 1899 collection he employed occult symbolism in several poems.