More frustrating however is the fact that "The Trial" was left unfinished.
I suppose the fact that the novel was never finished is common knowledge among the literati, but it came as an unpleasant surprise for me.
Over the course of the coming days, weeks, and months, he becomes acquainted with others who have had dealings with, or who have tenuous relations with, the elusive Court. has no chance of winning his case without the help of others, who insist that the only way to help is behind closed doors, through the strength of their political ties, gradually convincing officials of K.'s innocence. is acquiescent at first, but becomes increasingly agitated and unpredictable when no apparent progress is being made.
I leave the remainder of the plot to those who wish to experience it for themselves.
In addition, although it would seem from the end of the novel that K. This demonstrates that the Court is not in full control and that by making the men do the dirty work, he defeats the Court in the end by retaining a modicum of self-control.
finally does give in to the Court when he fails to put up a fight for his life, the matter is not quite that simple. considers resisting the two men who come to lead him away to kill him but then he follows them meekly. who leads them to the quarry where they remove his jacket and proceed to stab him to death. The type of justice that we take for granted in the States - burden of proof, the sovereignty of "innocence before proven guilty" - is an alien concept to the Court in Kafka's "The Trial." What makes it all the more frightening is that, not long after Kafka's death in 1924, this type of "justice" became commonplace in Eastern Europe.This unfortunate reality makes "The Trial" a surrealistically prophetic novel, one of paramount importance and undeniable relevancy.The conclusion to K.'s internal debate regarding whether or not to dismiss his lawyer never arrives.(Granted, the conclusion is assumed, but I would've liked to have followed K.'s thought process to completion.) It also leaves the question of the lawyer's true nature uncertain. The introduction to this edition by George Steiner is a dense and convoluted treatise on how Kafka is an inheritor of a Talmudic tradition of endless commentary...This incompleteness doesn't detract from the story until the very end.The "Dismissal of the Lawyer" section in Chapter 8 trails off in mid-paragraph."The Trial" tells the story of a man, one Joseph K., that is accused of a crime of which he has no knowledge and must defend himself against, despite his increasing awareness of the improbability of an acquittal. One can understand and sympathize with K.'s reactions to the absurd circumstances with which he is compelled to negotiate. attempt to deal with the situation in a range of approaches.Initially, upon his arrest, he is disbelieving and indignant. attempts to be done with the matter once and for all with a zealous rebuke of the Court and the manner in which he has been handled thus far. soon realizes that the proceedings cannot be brushed off so easily. Although he looks down upon the washerwoman as being socially inferior, he feels gratified by her sexual advances and continues to see her merely so she can help him get a judge to read his paperwork. Kafka’s dark, gloomy airless settings in contribute to the overall idea that K. In chapter one, we learn that K.’s bedroom has two doors, one adjoining Mrs. It was difficult to open and he had to turn the handle with both his hands. In other words, by this point, there is no escape for him, which the settings of the novel have suggested all along. How does existentialism function in As a philosophy, existentialism decrees that individuals are responsible for what they do and for how they live in the world. and becomes even more so when she informs him that she will start work at a law office. begins to feel ill as he realizes he is in a virtual prison: “there was no direct source of light . One morning in his office, “for no particular reason, just to avoiding returning to his desk for a while, he opened the window. Soon after, at Titorelli’s, when the temperature soars, K. " but the artist tells him "it's only a fixed pane of glass, it can't be opened" (76).