Romance writer Suzie Quint's review gives examples of how Stein explains "show, not tell" and other fictional techniques that nonfiction writers can also use to good effect.• Techniques for the Selling Writer by Dwight Swain How to write dramatic fiction that will engage the reader.Tags: Business Essay Photo Today UnderstandingEssay On Nelson Mandela As HeroArt Personal Study EssayBest Personal Narrative EssaysApa Research Paper RequirementsA Day With Santa Claus EssayEssay On Experience That Changed Your LifeStephen Ames Essays
I do not have a flâneur notebook, which I want to rectify right away.
" Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. There is no reason not to follow your heart." ~ Steve Jobs • Thinking About Memoir by Abigail Thomas.
Chapter One is devoted to the basics, headed as Each chapter is broken down into roughly three parts, exposition on the chapter topic, exercises and examples, then Reading as a Writer.
Under the introductory section Reading as a Writer, La Plante chose to place Joan Didion’s “On Keeping a Noteboook.” Here’s a PDF version I highly recommend you read. It reminds me of flâneur exercises I did in an introductory creative writing class. The artistic definition refers to someone who walks and watches and records the people around them; one who uses real life interactions in story.
Alice La Plante (how writers create -- for serious writing students and teachers)·My Words Are Gonna Linger: The Art of Personal History , ed.
Writing Exercises for Fiction Writers , by Anne Bernays and Pamela Painter (also useful for nonfiction)· A Writer's Coach: An Editor's Guide to Words That Work, by Jack Hart· Writers on Writing: Collected Essays from The New York Times, The New York Times, and John Darnton (introduction)· Writing Down the Bones: Freeing the Writer Within, by Natalie Goldberg (advice, inspiration, and Zen-like wisdom)· Writing Fiction: A Guide to Narrative Craft, by Janet Burroway (also useful for nonfiction) · Writing for Story: Craft Secrets of Dramatic Nonfiction by Jon Franklin (what makes a good story and how to structure for development, even while interviewing)· The Writing Life, by Annie Dillard (1990)· The Writing Life: Writers on How They Think and Work, Maria Arana, ed., (a collection from Washington Post Book World)And -- not quite on the subject, but here are related titles of possible interest:· The Muse that Sings: Composers Speak about the Creative Process by Ann Mc Cutchan· Hallelujah Junction: Composing an American Life by composer John Adams, best-known for Nixon in China • Afterwords: Novelists on Their Novels by Thomas Mc Cormack • The Art of Dramatic Writing: Its Basis In The Creative Interpretation Of Human Motives by Lajos Egri • The Art of the Novel by Milan Kundera• Aspects of the Novel by E. Forster • Burning Down the House: Essays on Fiction by Charles Baxter• Characters and Viewpoint (Elements of Fiction Writing) by Orson Scott Card• The Fiction Editor, The Novel, and the Novelist by Thomas Mc Cormack• The First Five Pages: A Writer’s Guide to Staying Out of the Rejection Pile by Noah Lukeman•Forensic Analysis and DNA in Criminal Investigations: Including Solved Cold Cases by RJ Parker and Peter Vronsky.
Since re-embracing the hobby, I’m all about journaling.
I have journals devoted to quotes, specific stories, story kernels, writing prompt exercises, blogging, literary events, and the list goes on.
So far I have nothing but positives to say about this book, but I want to finish it and write a response once I’m done.
That’s going to take me some time because La Plante has filled a lot of pages. One part in particular has seized my interest and won’t let go.