And her books aren’t just getting the prestige TV treatment: They’re being treated as prophetic texts.
Writing in the New Yorker, Rebecca Mead called Atwood “the prophet of dystopia.” Political protesters everywhere are waving signs demanding that we make Margaret Atwood fiction again.
Atwood knows exactly how terrifying it is when a person with power over you doesn't mind if you suffer, when they seem to in fact want you to suffer, and she examines every nuance of that terror without flinching away from it.
And that makes her perfectly suited to be the voice of the world in 2017.
“There are so few books like that being published right now,” she said.
Synopsis Of Essay - The Female Body Essay Margaret Atwood
“The application of literary intelligence to this question of power — it’s kind of out of style.
In part, that disconnect comes about because Atwood insists on defining her own terms.
She’s interested in women’s rights, and she’s interested in the possibilities of technology for the future, but those questions don’t necessarily fall within the bounds of feminism and science fiction as she defines them.
And many writers just seem more interested in exploring the self.” Atwood is a writer with the voice of a poet who has never been interested in the lyrical realist tradition so popular among literary novelists like Ian Mc Ewan or Jonathan Safran Foer, with their minutely observed unhappy families having unhappy sex.
Instead, Atwood puts domestic characters into blown-up situations.