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Never one to be easily pleased by his achievements, Donald was known to burn paintings that didn’t convince him.
It was as though their continuing existence would have interfered with the clarity of his development.
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He was a highly self-critical artist with exacting standards, standards that were driven forward by his integrity and commitment to his work.
Whilst this makes the task of curating an exhibition frustrating, we can be assured that any works that have survived from this period, are possessed of some aspect that interested or revealed potential to him.
During this period I had many, frequent, in-depth conversations with Donald about his work - he was excited by exploring the potential of oil paint and by the expansion of scale in his work, (to the recent large format paintings).
But like most artists, he was also dogged by uncertainty.