She considers herself to be superior to darker skinned black people and discourages...
She considers herself to be superior to darker skinned black people and discourages Junior from interacting with black people who she considers to be below her and Junior.
, all modern thought can be reduced to a mechanical denunciation of the West, emphasizing the latters hypocrisy, violence, and abomination. I wouldnt say that John Rawls or Jürgen Habermas or Benedict XVI fit that description. We are imperialists, racists, and purveyors of unsustainable consumption that threatens to engulf the world in an environmental disaster.
Yet Bruckner, one of the so-called new philosophers in France who made a big stir in the 1970s when they criticized the habitual Marxism of French intellectuals, points to a very real and powerful trend in contemporary Western culture. The colonization of the New World amounted to genocide. Capitalism depends upon the exploitation of the worlds poor. To a certain extent, our present self-laceration reflects one of the virtues of Western culture.
He takes his frustrated rage, which is rooted in the ways in which he has been dehumanized by white men, and turns it against black women because they are the only people without the power to harm him.shame and internalized racial self-hatred are motivating factors for several characters.
For example, Geraldine is strictly motivated by her perception of the ugly side of blackness, an image that she and others around her have been shown all their lives.
Geraldine believes that in order to be respectable, she must be clean, and her obsession with multiple forms of cleanliness takes over her life.
As a result, she becomes ashamed of her own physicality, and sex becomes a burden that she must endure for the sake of being married.
Morrison uses language to convey the influence that Maureen has over others. In addition to this, there are also the myriad messages from popular culture.
Shirley Temple is adored (Claudia mentions how much she hates Temple just to rebel against the universal acceptance of the child star), and the little girl whose picture is drawn on the Mary Jane caramels that Pecola loves is white with blue eyes.