Love In Les Miserables Essay

Love In Les Miserables Essay-63
The tragic barricades so dramatically shown in the musical and in the book’s pages sprung up around the Paris that Victor Hugo witnessed first-hand.Hugo, at age 30, was caught out in the streets during the uprising, and it made quite the impression: he labored for twenty years to write the story of and so gave a relatively minor political agitation a prominent place in history and memory.This length ensures that even if you aren’t into some part of the story—the meandering intro to the Bishop of Digne, say—in its dozens of fascinating characters and decades-spanning plot, has something for everyone.

The tragic barricades so dramatically shown in the musical and in the book’s pages sprung up around the Paris that Victor Hugo witnessed first-hand.Hugo, at age 30, was caught out in the streets during the uprising, and it made quite the impression: he labored for twenty years to write the story of and so gave a relatively minor political agitation a prominent place in history and memory.This length ensures that even if you aren’t into some part of the story—the meandering intro to the Bishop of Digne, say—in its dozens of fascinating characters and decades-spanning plot, has something for everyone.

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Because of the ubiquitousness of the musical and movie adaptations (most recently Tom Hooper’s 2012 film, which won Anne Hathaway an Oscar in her role as Fantine, and starred Wolverine as Jean Valjean), many know the basic outline of Jean Valjean, branded a criminal for life for the crime of stealing a loaf of bread, pursued with dogged ferocity for decades by the unyielding police inspector Javert.

Valjean’s salvation via the kindliness of a Bishop and the adoption of a young girl, Cosette, left in wretched circumstances by an unfortunate mother who sacrificed everything for her.

But in all seriousness, poems, and plays now mostly forgotten—and it has carved a permanent place in popular culture.

The book has never fallen out of style since its emergence (it was a sensational best-seller in its day, though somewhat coolly reviewed by snooty critics).

Much later there is Cosette’s love story with Marius Pontmercy, perhaps the original hipster (Marius exiled himself from his wealthy background for the love of his father’s Bonapartist politics and lived in near-poverty as a translator, spending most of the book basically yelling “I do what I want, Baron Grandpa! Even later in the voluminous volumes a subplot is introduced concerning Marius’ friends, a group that calls themselves Les Amis de l’ABC (roughly “the friends of the people,” in a French word game such as Hugo delights in), led by the revolutionary firebrand Enjolras.

Love In Les Miserables Essay

Young, idealistic, and primarily children of privilege, these students band together to try and bring down the government—an ultimately toothless and wrenching protest to the harsh conditions the poor were laboring under.

I think about Javert’s revelation all the time, and wish I could make it requisite reading. This sceptic’s name was Grantaire, and he was in the habit of signing himself with this rebus: R. The “new” Amis are often rendered in fic and fanart in a rainbow of ethnicities and sexualities, and cosplayers embody them in new shapes and situations.

Or, for another and nearly opposite view of the human condition, gaze upon Hugo’s description of the cynical, alcoholic Grantaire, attached to the revolutionary Friends of l’ABC only by the force of his affection: Among all these glowing hearts and thoroughly convinced minds, there was one sceptic. Grantaire was a man who took good care not to believe in anything. To read and love is not only a profound act, but it can become a lifestyle.

There are passages of great levity, and, I would argue, the most profound sketches of the varied shades of humanity that you will encounter. been a skeptical drunkard deeply in love with our obverse? Much has been made in scholarship, and especially in fandom, of Grantaire’s adoration of Enjolras, and the homoerotic characterization that Hugo, a master of classical knowledge, appears to be layering him with (Grantaire is directly equated with the likes of Patrocles, Nisus, and Hephestion).

Take as an example what happens to Javert, who throughout the book has been Valjean’s primary antagonist, a man so steeped in the rigidity of his principles that it is inconceivable to him that certain laws could be unfounded and that a person once ruled to be a criminal could also be good. Fan attention also is given to the push-pull between Valjean and Javert, and the nascent feminist independence of Eponine, a bold girl fallen from good fortune but true to herself—and arguably one of the book’s primary heroes, alongside her brilliant and mischievous little brother Gavroche (see Doodle image above, in cap).

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