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They are largely unconscious responses to anxiety irrespective of the source or content of the anxiety.Therefore, they are primarily formal aspects of human behavior; each defense has its own characteristics and patterns and the proclivity to use certain defenses is a basic feature of a person's character structure.—with a deeply poetic style that recalls both Wong Kar-wai and Andrei Tarkovsky, tracking the main character’s gradual descent into melancholic bliss.”For Jordan Ruimy at the Playlist, in an age when “digital fakery can masquerade for the real thing, Bi Gan brings back the possibilities, no, the magic, of cinema.” More from Mónica Delgado (desistfilm), Eric Kohn (Indie Wire, A), Fabien Lemerier (Cineuropa), and Lee Marshall (Screen).
Any relaxation of defenses in others, then, provides us with a certain amount of relief of tension.
Although the readers' or audiences' reactions to the manifestations of defenses by characters in a literary work is admittedly quite complex, e.g.
The title, by the way, is not taken from Eugene O’Neill’s play; translated from Chinese, the title’s actually Last Evenings on Earth, likely a reference to Roberto Bolaño’s 1997 collection of stories.
One more tidbit to keep in mind: Bi is only twenty-eight years old.
Before this year’s Cannes Film Festival began, we took a look ahead to seven of the most anticipated films premiering in the Un Certain Regard program.
Topping that list was Bi Gan’s Long Day’s Journey Into Night, and an early round of raves suggest that the film has surpassed everyone’s high expectations.
In everyday life, manifestations of defenses arouse defined and predictable responses.
Regardless of whether we specifically label another person's reaction as defensive, or whether we can identify the particular defense involved, we characteristically sense the anxiety in the other person necessitating the defense.
When the aesthetic appeal of a literary work depends at least in part on the accuracy of portrayal of character and psychological situation—as in a so-called psychological novel or a psychological play—analysis of psychological defenses provides a means for understanding aspects of the psychological structure of the work.
Patterns of defenses manifested by characters in a literary work are experienced by the readers or audience in particular ways during the time they are reading the work or viewing the play.