Whether people in general are more inclined to tell the truth as they see it or to distort it a little bit to favor them and their social position is a central question of the film.The woodcutters version of the story is rich in symbolism regarding this question.Tags: Critical Thinking And Test Item WritingCreative Writing Teaching JobsEssay Connection Readings WritersParaphrases In EssaysTypes Of Essay ListLeadership Self Reflection EssayCharacter Analysis AssignmentReligion And War Research PaperSmall Organic Farm Business Plan
The presence of the rain provides an excellent excuse for the story to be told.
In these first dark and rainy scenes, Kurosawa paints a bleak picture of the world.
Going deeper, though, the commoner being in some way a representative of the movie audience (he is spectating the story much like the audience is), he represents the bare-bones, primitivistic nature of man; stripped of clothing, the commoner reminds us of the importance of the body in driving mans mind.
His nakedness might reflect the assumed pessimistic view of the audience that man is inherently impulsive and irrational, or at least that man is more desire-driven than logical in his choices.
Akira Kurosawas Rashomon (1950) was a groundbreaking film for the western world in many ways.
The cinematography was inventive, the sets were monstrous and beautiful, the actors were incredibly emotive, and the theme of the film was unlike anything Classic Hollywood could churn out.
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Kurosawa, we might be inclined to say, does little more than retell a great story from the eleventh century . Kurosawas contribution of this beautiful world of light and darkness gives the text a universe far outside Akutagawas imaginings.
Kurosawa also adds much substance to characters that are empty in the original stories, which are very short, hardly containing the elaborateness of the film.