Graphic Novel Essay Questions

Graphic Novel Essay Questions-89
In creating my graphic novel, I received professional help from an experienced graphic novel scripter, Charles Santino of Marshall Holt Entertainment.

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By Steve Kissing One of the things that amuses me about publishing my first graphic novel is that prior to engaging in this project a few years ago, I had never read one.In some cases, we also provided the artist with some reference material, such as photos of my family, neighborhood, school and church.Here’s a sample script page: The artist would then provide a rough sketch for my approval, that looked like this: Next would come a black-and-white version of that page, which looked like this: Then another person, who was not the artist, would add the color.On February 15, 1993, just after Spiegelman joined The New Yorker, his first cover for the magazine was published.To commemorate Valentine’s Day, he depicted an Orthodox Jewish man and an African-American woman kissing.(Page through any graphic novel and you’ll see that most deploy different sized panels, some bigger, some smaller, on each page.Some panels may have multiple captions, and some none at all.) The script describes the images for the artist to capture in each frame (along with providing the caption that will accompany it), while leaving plenty of room for his or her imagination and talent to enhance the scene.Whatever the root causes, the key reason graphic novels sell is that they are entertaining and artful, some of them as much as any other book of any other type. Write a comic.” Eisner-Nominated Alex de Campi Talks Comics, Prose & Multidisciplinary Creative Work] I first told my story—one about how, as a child, I misdiagnosed my hallucinations caused by a seizure disorder as demonic possession—via a feature-length magazine piece.I then wrote a narrative memoir, and now, some fifteen years later, it’s also a graphic novel, published by London-based Markosia.It appeared “in the wake” of the Crown Heights riots in Brooklyn, and the “scars” of the racial tensions between Hasidic Jews and African-Americans “were still fresh in New York,” he recalled.“My intention was to represent the two communities as kissing and making up.” It proved to be a bit early for that; the cover sparked protests from both the black and Hasidic communities.


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