When Iago does shatter the Moor's idealistic image of Desdemona, he is simply reinforcing what Othello believes deep down to be totally possible: that Desdemona could love another man.Iago cleverly argues that Desdemona is quite capable of betrayal because she has already betrayed her own race and breeding to marry a Moor: Ay, there's the point!
When Iago does shatter the Moor's idealistic image of Desdemona, he is simply reinforcing what Othello believes deep down to be totally possible: that Desdemona could love another man.Iago cleverly argues that Desdemona is quite capable of betrayal because she has already betrayed her own race and breeding to marry a Moor: Ay, there's the point!as (to be bold with you) Not to affect many proposed matches Of her own clime, complexion, and degree, Whereto we see in all things nature tends ...Tags: Orphan Research PaperHelping With HomeworkMy Hobby EssayEssays On Computer Advantages And DisadvantagesMaintenance Business PlanDeaf Essay TopicsProblem Solving In Relationships
A preliminary assumption may be that, because Othello kills his beloved wife after the devious machinations of Iago, then perhaps Othello is as much a victim of Iago's evil as Desdemona is of Othello's wrath.
Some may argue that the sin of Iago - to plot the downfall of the Moor - is worse because it blossoms in a diabolical, calculating mind, as opposed to the sin of Othello which is committed because he has become a mere pawn in Iago's hands, blinded by hurt, ruined by his own naivete.
This speech reveals Iago to have an incredibly materialistic and conceited nature, as he reduces everyone mentioned to an object easily capable of manipulation.
Roderigo becomes Iago's purse, Cassio is simply a handsome, noble man who can be used to make Othello jealous, and Othello himself is “As tenderly [led] by the nose/ As asses are” (1163).
Even Iago's own wife, Emilia, is referred to as Iago's “office,” an item that he has earned, rather than a woman he has vowed to love.
He concludes this speech by saying “Hell and night/ Must bring this monstrous birth to the world's light,” comparing Othello and Desdemona's marriage to a “monster birth,” while equating himself and his deceptions to Satan.Both Othello and Iago use many of the same literary devices and much of the same figurative language to express not only their opinions of those around them, but also their general conceptions of the workings of the universe on a more spiritual level.closes with Iago giving a soliloquy introducing his plan to make Othello lose faith in his wife.The argument can be made that Desdemona's murder is a result of Othello's pride and rush to judgment and, as a result, he must be held accountable.Othello, unlike Iago, is capable of forming strong, loving relationships; his genuine friendship with Iago confirms this fact.However, it can be shown that Othello allows himself to be manipulated.Iago's suggestion of the infidelity of Desdemona provides just the excuse Othello needs to justify the destruction of the wife he believes cannot truly love him.Othello is a strong leader, self-assured in his ability to handle military matters, but he is insecure with his personal qualities. He has a new bride - a young and beautiful girl - whom he loves but does not know well.He is unsure why Desdemona would choose him for her husband, and can only fathom one explanation, "She lov'd me for the dangers I had pass'd." (1.3.167) The Moor surely is aware of the widespread prejudice in Venice and certainly must question why Desdemona would defy her culture and fellow white Venetians by marrying a black man.He is comfortable only in the role of the aggressor.Why does Othello not make a better effort to combat Iago's accusations?