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My academic career began with a doctoral thesis on the act and theme of passing-for-white in US literature and film for which I engaged with the intersextions of race, sex and gender in US cultural production. The first is about ‘interbrow’—a term I’ve coined for my analysis of the concept of the middle central to both middlebrow (a class-based or socialised perspective) and intermedia (the mixed aesthetic forms pervading the contemporary mediasphere).
My research has since branched into a number of cognate areas concerned again with race, sex, gender and class in the context of the longue durée of melodrama as an aesthetic form persisting fromthe Enlightenment age to the present My book (Rowman and Littlefield International 2015) is the culmination of research which draws on thinkers ranging from Jean Jacques Rousseau to Marshall Mc Luhan and Catherine Malabou in order to explore melodrama as a highly adaptable and durable mode that mutates as it crosses modalities and media.
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