For many observers, this was an unprecedented opportunity to see just how uniquely Indian classical dance uses choreography as a form of storytelling.
Unfortunately, when the British consolidated their hold over India during the Victorian era, this great institution was branded as mere prostitution and was outlawed.
This set the art-form of kathak into a downward spiral that was not reversed until Independence when there was a reawakening in interest in traditional Indian art- There are three main gharanas, or schools of kathak.
Kathak is the major classical dance form of northern India. It is derived from the dance dramas of ancient India.
When the patronage shifted from the temples to the royal court, there was a change in the overall emphasis.
Kathakali is originated in God’s own country Kerala in 17th century and got popular at every corner of India.
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The attractive make-up,detailed gestures and elaborate costumes of the characters along with body movements with playback music are best experience to watch.
The emphasis shifted from the telling of religious stories to one of entertainment.
Today, the story-telling aspect has been downgraded and the dance is primarily an abstract exploration of rhythm and movement.
The classical Indian dance Bharatanatyam originated from the art of temple dancers in the South India state of Tamil Nadu.
Bharatanatyam is reworked form of dance from the traditional sadir and combination of expression,music,beat and dance.