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And, since it often comes down to survival when you’re facing the forces of nature itself, you’ll frequently find “character versus self” — something we’ll touch on later — emerge as a partner struggle in the story.Technology might feel as though it’s one of the newer categories out there, given the only recent rise of smartphones and Google in the 21st-century.
But characters were battling technology way back when.
In fact, you can trace it all the way back to Mary Shelley‘s 1818 , in which a chemist needs to fight his own creation: a monster born out of science.
Don't introduce conflict if it does nothing meaningful to further plot or character.
Conflict should always be related to your protagonist’s goal — either developing it or blocking it.
It starts when something stands in the way of a character and their goals.
In other words: This might sound overly simple, but almost all of the great stories in the world are born from this formula: a protagonist desperately wants something, but can't get it.Horror novels often pit mankind against mankind as well.That you see this kind of struggle so often in fiction isn’t surprising: we almost always need to navigate a sea of people when we’re trying to achieve our goals in life. Darcy in Particularly prevalent in fiction these days, this type of external conflict pits the protagonist against the wider society.Does the character now: Conflict forces characters to act in ways that reveal themselves.That said, conflicts don’t need to be violent or set on a grand scale.Broadly-speaking, a conflict is going to be one of two things: external conflict or internal conflict.Rest assured that you can break this down further, though.So what makes for good "building-shaking" material?Let's look at the major types of conflict you'll find in literature.In this case, “society” could involve an oppressive government, adults as seen from a teenager’s perspective, a corrupt police force — any larger group of people that makes the protagonist realize that they don’t neatly fit into the world’s mold for them.So they struggle in various ways against society’s expectations, something that often trips into outright rebellion. By virtue of the genre, we often see a character fighting a society that’s obviously deranged: take ) surface as antagonists.