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If you mean me, the best job that was ever offered to me was to become a landlord in a brothel.In my opinion it’s the perfect milieu for an artist to work in.It is my aim, and every effort bent, that the sum and history of my life, which in the same sentence is my obit and epitaph too, shall be them both: He made the books and he died.
So the only environment the artist needs is whatever peace, whatever solitude, and whatever pleasure he can get at not too high a cost.
Any attempt at a neatly packaged public understanding therefore engenders in the private individual a deep sense of being misunderstood.
Assuage Faulkner’s concern with Vivian Gornick on how to own your story, then revisit Faulkner on the meaning of life, the writer’s responsibility to society, and his little-known children’s book. It takes me hundreds of hours a month to research and compose, and thousands of dollars to sustain. If you find any joy and value in what I do, please consider becoming a Sustaining Patron with a recurring monthly donation of your choosing, between a cup of tea and a good lunch. Claim yours: is in its twelfth year and because I write primarily about ideas of a timeless character, I have decided to plunge into my vast archive every Wednesday and choose from the thousands of essays one worth resurfacing and resavoring.
I will protest to the last: no photographs, no recorded documents.
It is my ambition to be, as a private individual, abolished and voided from history, leaving it markless, no refuse save the printed books; I wish I had enough sense to see ahead thirty years ago, and like some of the Elizabethans, not signed them.