A Wrinkle In Time Essay Test

A Wrinkle In Time Essay Test-66
is largely faithful to the book, sometimes in delightful ways only super fans will notice — Meg's bedroom is still in the attic, for example, and the kids meet Mrs.Whatsit on a "dark and stormy night," in a nod to the book's opening sentence.

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This is made impressive more by the characters' reactions than to anything that's onscreen.

It also suffers from trying to do too much in its relatively slight 109-minute running time (the source novel Madeline L'Engle has been considered un-adaptable since its first publication in 1962, so it's possible that even a miniseries might've had issues; the 2003 TV movie was a train wreck).

"A Wrinkle in Time" arrives in theaters during the same week that U. viewers observed the 50th anniversary of the premiere of "Mister Rogers' Neighborhood," a beloved series that was all about respecting the space, the wishes, and the feelings of others.

There are many points in "A Wrinkle in Time" where the characters' journeys suggest a big-budget CGI version of that show's regular excursions into "The Neighborhood of Make-Believe," a world in which kindhearted children and adults have poker-faced conversations about insecurity, loneliness, anger, and other mental states openly, amongst themselves and with sock puppets, then return to the "real" world and watch a musical performance or visit a harmonica factory. Whatsit just shows up in the family's house, less like a real-life neighbor than a scatterbrained wood sprite from a Disney Channel cartoon, and the mom is the only character who seems shocked. Which is a 40-foot tall shimmering apparition looming over a backyard during her first appearance, and the onlookers seem more intrigued than terrified by her, as if this kind of thing happens a lot.

The film's tone is so radically earnest at certain points—particularly when it's dealing with loss and disappointment—that the movie's logo could be a gigantic ear of corn.

In its multicultural casting, its child-centric story, and its emphasis on the validity of feelings, it's so different from every other recent big-budget live-action fantasy (superhero films included) that its very existence amounts to a contrarian statement.

"A Wrinkle In Time," about three children and three magical beings trying to locate a missing physicist and stop evil from overwhelming the universe, is as dislocated from the current moviegoing moment as its human heroes are from their lives back on earth.

It's a gentle fantasy, seemingly pitched at younger children, that would rather take people by the hand than punch them on the shoulder, and that's a good thing; in fact, it's the wellspring of the movie's best qualities.

Like the rest of the core cast, he's doing old-movie style, just-plant-your-feet-and-say-the-lines acting that seems to be pretending that the Method never happened.

Reid in particular is quite good at this; some of the notes she strikes early on reminded me of Elizabeth Taylor in "National Velvet" in their near-theatricality, but in a scene with Pine near the end, the facade drops, and it's devastating.

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